In cinema, following the popularization of the zombie apocalypse subgenre, we have learned to identify its core element—or elemental protagonist—by its nature and characteristics: a human undead that moves, walks, crawls, and makes vocal sounds; a being that appears alive only to feed on flesh—ideally, a nice, warm, tasty brain. It is someone teetering on the threshold between life and death, still "animated" by the most primitive instincts, yet effectively dead inside, driven by the sole, unconscious objective of devouring the flesh of others. And this is not limited to a single individual; rather, a significant portion of a city’s population becomes infected by the same mysterious disease or condition, while those who remain uninfected—and thus untransformed—strive to stay intact, shielding themselves from any contact with these creatures.
In the real world, while analogies to this fictional scenario abound, they are consistently linked to various cultural, political, or ideological manifestations—such as religious sects or cults, or religious fundamentalism rooted in traditional faiths. mass political-ideological movements, such as the Chinese Cultural Revolution of the 1960s...
The real-world human "zombie"—not merely someone who has lost their individual autonomy.
What all these manifestations have in common is the standardization of the thoughts and behaviors of their members or participants. In principle, this is an inevitable tendency of human culture itself—one important for its own survival and perpetuation—yet it can reach (and historically has reached) very high levels of collective uniformity. It involves a mass of individuals who embrace the loss of their own autonomy¹ in how they think and behave. Traditionally, this is a process of indoctrination inherent to any culture, which typically occurs during the early years of formation and development; in this specific context, however, it is distinct in that it does not occur solely during childhood. Therefore, the "metaphorical zombie" is an individual who ceases to possess or exhibit their own potential individuality and/or "free will" (or a significant portion thereof, effectively outsourcing them). Instead, they begin to adopt the mannerisms of the groups to which they belong—usually in a way that is more subconscious than conscious. This phenomenon arises from a combination of factors: personal circumstances or one’s life trajectory; intrinsic traits—such as an individual’s personality or intelligence (which may create specific vulnerabilities); and environmental influences, such as the pressure to conform within the social settings in which one moves—all of which encourage an individual to follow this path (or, perhaps, this misstep). As a result, these individuals—duly "uniformed"—are easily recognized as belonging to a specific group based on how they dress, think (expressing their opinions and beliefs), or behave. In doing so, they signal to "others" who they are, what they have become, or to whom they belong.
They also become highly dependent on the decisions made by the groups to which they adhere.
¹ However, the relationship between culture and the human individual always involves varying degrees of compatibility. For certain groups and specific cultures, the fit may be more natural—for instance, individuals with personality traits associated with conservatism might, from an early age, gravitate toward a culture that aligns with their own ideology. This does not, however, preclude the existence of chronic, deep-seated forms of incompatibility.
At this point, you might conclude that human culture itself serves as a real-world example of a "zombie apocalypse"—drawing an analogy between collective standardization and an epidemic infection, where a mysterious condition forces many individuals into the same "zombie" mold, characterized by the rote repetition of behaviors or expressions. Yet, even if a traditional culture contains highly questionable moral or intellectual tenets, it still represents the way our species has evolved to adapt and survive. In other words, it retains a high level of basic functionality—particularly in maintaining group cohesion and fostering the capacity to learn and replicate behaviors that are directly functional, such as the fundamental drive toward reproduction. And this is where the idea of linking ideological indoctrination to a zombie apocalypse finds its closest real-world parallel: cultural Marxism—specifically its identity-based variant. It stands in opposition to the very logic that has historically defined human culture, as it compels individuals to adopt behaviors that are dysfunctional to their own health, survival, or adaptation (even in terms of optimization, though it may not always appear so). Furthermore, it distorts one’s thinking through this same doctrinaire framework. Such an ideology has only been tolerated in modern societies thus far because they are technologically advanced, allowing them to accommodate a high degree of dysfunction.and why groups with ulterior motives—divergent from those of the historically dominant (and likewise dubious) groups—have seized the political stage, employing this form of indoctrination as a key method to achieve hegemony. Essentially, this entails steering the human species toward its own involution or destruction—targeting, in particular, individuals of the white Caucasian race, by ideologically assaulting everything that constitutes their vitality: their aesthetic, moral, intellectual, and functional sensibilities.
Thus, the "real-life" zombies of the contemporary era are those numerous individuals "infected" by the "red virus" of cultural Marxism. They have adopted strikingly similar modes of expression—in aesthetics, language, thought, and behavior—all rooted in an ideological adherence that deviates sharply from long-established, functional logic. In this, they behave much like the zombies of fiction: aesthetically repulsive—ranging from the classic "grimy and unkempt" look to the "deranged" appearance defined by an excess of tattoos, piercings, and other extreme bodily modifications. Intellectually and morally dulled, they seem driven by an attraction—or a "hunger"—for the vital signs of genuine intelligence and rational discernment; they crave "living, active brains," only to attack and "devour" them with fallacies, projections, gratuitous hatred, and a desire to inflict exclusion and suffering. Much like the fictional zombie—which can be seen as representing the "resentment" (in a poetic or symbolic sense) that the dead harbor toward the living—these individuals embody the resentment of the foolish toward the less foolish or the wise, and the resentment of the deviant or the pathological toward the healthy or the virile. Therefore, this is not merely a cultural and ideological phenomenon of collective standardization; it also manifests as a kind of syndrome—characterized by specific symptoms rather than just cultural traits—that is associated with notions of destruction and disease, standing in opposition to almost every typical cultural expression. It bears a far greater resemblance to a "zombie apocalypse" than to any other form of human collectivism found in the real world: an emerging mass of indistinguishable individuals who repeat the same dysfunctional behaviors and simplistic, deviant thoughts—deviant, that is, from everything that represents a "more natural order." In short, they attack everything identified as most vital and authentic to human life: the aesthetic concept of beauty (harmony or symmetry), the functional concept of health (utility and balance), the moral concepts of "right" (safe, beneficial, or logical) versus "wrong" (dangerous, harmful, or illogical), and the intellectual concept of truth (factual versus untruthful).
While these real-world parallels to fictional zombies may occasionally be correct regarding certain debatable moral or intellectual points concerning more traditional cultural and historical manifestations, the purpose of this text is not to establish a perfect analogy, but rather an approximate one. We are not speaking literally of the undead hungering for human flesh, but of individuals consumed by ideologies that cause them to behave as if they lack even a baseline level of self-awareness. They function as an undifferentiated mass, merely echoing simplistic, uniform thoughts—a standardization reflected in their dress and behavior, entirely devoid of self-criticism. It is an aesthetic that is dirty, chaotic, and/or morbid, mirroring the ideas they have adopted through indoctrination—a uniquely human version of the "uncanny valley," manifesting within actual human beings. which is not confined to the digital world and has serious consequences in practical life...